The Other Side of the Other Side
From the ridiculous to the ridiculously sublime...
I have been meaning to post a review of the amazing "The Other Side of Midnight" for weeks and I've finally MADE the time.
This jaw dropping camp classic is finally on DVD and it is an absolute must in my book.
What do you get when you combine the literary acumen of one Sidney Sheldon with the wired-for-sound, fresh from Rocky Horror, Susan Sarandon, the director of the 70's musical version of "Lost Horizon" and the producer of Mommie Dearest- Frank Yablans?
You get a one-of-a-kind insane camp epic- that's what you get.
This movie plays like Jackie Susann writing "The Winds of War".
For those of you who are uninitiated in this brilliant story I will give a brief recap and don't worry- I won't ruin the ending...
The film begins in Greece where the stunning Noelle Page (Marie-France Pisier) is imprisoned on a murder charge- she explains to her Ari Onassis-like lover, Raf Vallone, how she got there.
It all began in the 1930's when Noelle's poor family sold her sexual favors to Boss Hogg from the Dukes of Hazzard. Yes the first sex scene in The Other Side of Midnight is an amazing one with chubby hairy Hoff man-ramming our poor Noelle!
Eventually, the pathologically naive Noelee ventures to Paris where after endless inconveniences, she meets hot shot Airforce pilot Larry Douglas (John Beck) who looks like a 70's gay porn star. The two fall into love montage.
Meanwhile in Washington, scrappy career gal Catherine Alexander (Susan Sarandon) shows DC PR power broker Bill Fraser (Clu Gallagher) that she's got what it takes to get ahead in business!
Noelle is deeply in love montage with Larry Douglas, but one day he has to return to the war- promising that he will return to her. Only he doesn't, leaving Noelle with nothing but a broken heart and an unwanted pregnancy.
Noelle (now a high fashion model!!!!), sits idly with a wire hanger (yes wires hangers feature predominately in BOTH of Yablan's greatest films) before deciding on giving herself an on camera abortion in the bathtub!
Soon Catherine is off to Hollywood to work on a film for the War Department where she meets none other than Larry Douglas! Unlike Noelle, sassy Catherine is no easy lay- but her defenses are eventually broken down by the unfunniest romantic banter in film history where upon SHE falls into love montage with the butt headed Larry.
As the Nazi's rise and fall in power, Noelle becomes a huge movie star by screwing every director in Europe and all to get back at Larry. She uses her money to hire a slime ball detective to find out everything about the stud. When she needs more money she agrees to become the mistress of the richest man in Greece- Constantin Demeris (Raf Vallone).
This is my favorite sequence in the film where Noelle enters the world of the super rich. She is glamorous and heartless and bent on using others for nothing more than her petty revenge! She strides through Constantin's amazing sound stage set Greek mansion, her chiffon dress billowing, examining her manicure and finding her nails like herself- perfect. This sequence has me screaming my head off in joy during every screening!
Eventually after the war (yes it covers decades and the film itself, running barely under three hours, feels like it's being played in real time!), former top-gun fly-boy Larry now married to Catherine, can't seem to find work. Voila! An offer comes from Greece- fly a rich European movie star around in her private jet!
Larry and Catherine arrive in Greece where Larry does not recognize Noelle at first but when he does in a Scandanavian hotel, their now ancient passion resurrects itself -resulting not in love montage this time but soft core sex scenes!
And their unholy love will lead them to... the other SIDE of midnight!!!!
This was Andy Warhol's favorite film and it's easy to see why- it is the ultimate camp film "product"- big, glossy and completely empty. Andy's philosophy was "always leave them wanting less" and this film delivers with it's unreal running time- only the hardcore campers can muster the effort.
I love everything about TOSOM. I love it's 1950's melodrama and romance juxtaposed with 70's full frontal nudity. I love the ice cube sex scene. I love the costumes.
The sets look they are from the Wonder Woman TV show- super cheap- maybe Wonder Woman reused some of them. Even though this is a period film, you expect the cast of "The Love Boat" to wander in any minute.
Part of the weird quality of this film is the fact that it is basically a 1950's Douglas Sirk era melodrama played for the roller disco era. They don't make soapers like this anymore and this film is why.
Today this film is most famous for it's connection to "Star Wars". In the summer of 1977, most "experts" were predicting TOSOM to be a huge hit and they thought Star Wars was going to bomb big. Theaters who wanted to screen TOSOM had to agree to screen Star Wars as well- the rest is history- with TOSOM becoming one of the biggest and most notorious mega-flops of the 70's.
Sidney Sheldon was a big deal in the 70's. The novel the film is based on was a mega-seller as were all of his books- but the one two punch of this film and the appalling "Bloodline" (that one featured Audrey Hepburn fighting the snuff porn industry) thoroughly ended his hopes of adapting his potboiling page turners to the screen. No, Sidney's novels became TV fodder instead- which might be appropriate for the man who created "I Dream of Jeannie" and "Hart to Hart".
Frank Yablans after scoring a hit with "Silver Streak" would go on to produce the high and low unintentional camp classics "Mommie Dearest", "Monsignor" and "Baby Geniuses".
Director Charles Jarrott went on to direct a lot of early 80's Disney dreck- films like "Condorman" and lots of TV movies including "Jackie Collins' Lady Boss".
Of course Susan Sarandon went on to mega stardom and John Beck went on to Falcon Crest but to me the heart of TOSOM will always be Marie-France Pisier. It is she that sends this film into the camp stratosphere. Pisier had been a star in France working with Bunuel on "The Phantom of Liberty" amd starring in the art-house hit "Cousin Cousine". Aside from a few fabulous US TV mini-series turns- notably as Valentine O'Neill in Judith Krantz's "Scruples", Pisier never made another major Hollywood film. She returned to France and is still working.
I won't give away the ending other than to say that it is one of the truly surprising climaxes in film history and well worth the three hours of time invested.
The DVD doesn't contain much but it does have a mind altering commentary track featuring interviews with the late Sidney Sheldon, Frank Yablans and director Charles Jarrott. Yablans is especially great with his "Don't give me that art crap" mentality. The ultimate vulgarian, he bitches about everyone under 60. He reminds us that it's not show "art" but show "business". This is the heartless attitude that created some of my favorite heartless films!
I encourage everyone to see "The Other Side of Midnight". If you've never seen it before you are in for a truly mind-numbing experience and if you have, you will want to check it out again- the film has aged beautifully which means hideously and it's letter-boxed!
It is funnier and more unintentionally subversive then anything out there today!